While some comics creators have been interested in telling stories about the traditional Arthurian figures, others have drawn inspiration from the legend in creating their own characters. In particular, the figure of the idealistic knight-errant who sets forth into the world to protect the innocent and thwart the wicked has proven an effective model for a number of comics heroes. Generally, these characters have appeared in their own comic strip or comic book series. However, while a comic strip series like "Prince Valiant" is largely self-contained, comic book characters often appear in a variety of series from the same publisher. Most comic book superheroes participate in a shared fictional universe with their publishers' other heroes and make frequent guest appearances or "crossovers". Revamping of characters' premises and fictional background, or continuity, is also common in modern comics.
All of the characters discussed below have their beginnings in an Arthurian-derived premise which then becomes part of the character's background, receiving more or less emphasis depending on the inclinations of the creators handling the character at any given time. Rather than attempting a complete checklist of each character's every appearance, I am listing what I consider to be key appearances -- "key" being defined as either critical to the character's overall development, or particularly notable for Arthurian content. (Original series runs are "key" by definition.)
Created by Stan Lee and Joe Maneely in Black Knight #1 (1955 ).
Key appearances (all published by Marvel Comics, USA, except as noted):
The original Black Knight was a knight of King Arthur's court, Sir Percy of Scandia. Following the example of swashbuckers like the Scarlet Pimpernel and Zorro (and countless comic book superheroes), the Black Knight had a double identity. As Sir Percy , he appeared to be a timid fop, but as the mysterious Black Knight (whose helmet completely covered his face), he was the greatest of Camelot's champions. As told in Black Knight #1, Merlin enlisted Sir Percy to act in secret opposition to the plotting of Arthur's evil nephew Mordred. After the Black Knight successfully defended Arthur against an attack engineered by Mordred, the King accepted him into his service. The Black Knight foiled the schemes of Mordred and his ally Morgan Le Fey for another four issues before the series folded. (Several stories were reprinted by Marvel in the1960's; a more recent reprinting of a single episode was included in the trade paperback, The Golden Age of Marvel, Vol. I.)
Several years later, the Black Knight was resurrected, after a fashion, when Tales To Astonish #52 introduced a super-villain of the same name. This Black Knight was Professor Nathan Garrett, a scientist who had created a winged horse and advanced weaponry such as a "power-lance". After being defeated by Giant-Man and the Wasp in his first appearance, the Black Knight returned as a member of the Masters of Evil in Avengers #6 (reprinted in color in Marvel Masterworks, Vol. 4: The Avengers #1-10 and in black and white in Essential Avengers. Vol. 1). He made a couple of succeeding appearances as a foe of the Avengers and also battled the armored Avenger, Iron Man, in Tales of Suspense.
In the 48th issue of Avengers (Dec., 1967, written by Roy Thomas and drawn by John Buscema; reprinted in black and white in Essential Avengers, Vol. 3) readers learned that Garrett had been mortally wounded in his last battle against Iron Man and had bequeathed the Black Knight's identity to his nephew, scientist Dane Whitman, in exchange for a vow that Whitman serve the cause of good. The Black Knight soon encountered the Avengers and shared several adventures with them before becoming a member of the superhero band in issue 71. Meanwhile, he was cover-featured in a solo adventure in the 17th issue of the showcase title Marvel Super-Heroes. Here author Thomas revealed that both Whitman and Garrett were descendants of Sir Percy of Scandia. Sir Percy had perished in the final battle of the knights of Camelot, slain by Mordred after the traitor had already killed Arthur. As Percy lay dying, Merlin cast a spell which enabled the Black Knight's spirit to return whenever Mordred's own immortal spirit reemerged to work evil. Percy's wraith had called to Nathan Garrett, who hadn't answered in a worthy fashion; Dane Whitman, however, was destined to be Sir Percy's true heir. Whitman was given the Ebony Blade, an enchanted sword which had been carved from a meteor by Merlin, and was soon using it in battle against a mortal pawn of Mordred, whose spirit had indeed survived the centuries in the service of the "Nether Gods".
The Black Knight defeated Mordred's proxy, but though Mordred vowed to strike again, this story did not lead to to an ongoing solo series for the Black Knight, and Arthurian themes played only an intermittent role in his later adventures in Avengers and other comics. The Ebony Blade turned out to be cursed, and Dane Whitman's body was turned to stone by the kiss of a Norse goddess, the Enchantress. His soul was cast into Limbo, but was eventually called by Merlin's spell to the Holy Land of the 12th Century, where Mordred's spirit had allied itself with England's Prince John to overthrow the rightful king, Richard the Lion-Hearted. A superhero group called the Defenders found the Black Knight in the past using a mystic device called the Evil Eye which was supposed to be a relic of Avalon, but after defeating Mordred again, the Black Knight elected to remain in the 12th Century (Defenders #11). After five years, however, he apparently grew tired of the Crusades and went searching for Avalon. Avengers #225 and 226 told how the Black Knight's former teammates joined him in his efforts to defend Avalon against an invasion of evil godlike beings, the Fomor (who, like Arthur and Avalon, had roots in Celtic mythology). At the conclusion of this story, the Black Knight used the Evil Eye to sever the gateway between the dimensions of Earth and Avalon, and was magically transported back to the 20th Century.
Sometime before this story was published, Marvel Comics' British publishing arm, Marvel UK, had begun publishing modern-day adventures of the Black Knight in Hulk Weekly. In these 2-page black-and-white strips, Dane Whitman eventually found his way to another mystical realm, Otherworld -- where he found King Arthur, as well as Merlin. He was joined in these adventures by another hero, Captain Britain.
Sometime later, Dane Whitman rejoined the Avengers for a lengthy stint, during which time the Ebony Blade's curse caused him to be turned into a living statue once again (this time made of metal). A four-issue eponymously-titled miniseries told how Whitman's body was temporarily re-animated by the spirit of his ancestor Sir Percy, the original Black Knight. Sir Percy was called into battle once more against Mordred and Morgan Le Fey (the latter of whom had been involved in conflicts with Spider-Woman, Iron Man, and the Avengers in recent years), who were attempting to conquer the world with black magic. At the conclusion of this adventure, Sir Percy vacated Dane Whitman's body to enter the Ebony Blade, freeing both man and weapon from their curse. The Black Knight returned to the Avengers for several more years, and later served as the leader of an extradimensional group of heroes, Ultraforce. Dane Whitman returned to his own dimension in the Black Knight: Exodus special issue, and soon after, joined Iron Fist and other Marvel heroes as a member of a new team, Heroes for Hire. In Heroes For Hire #2 (1997), Dane was told by the Lady of the Lake that he was to become the new champion of Avalon, the Pendragon, and was given new magical weapons and a new winged steed. (See the entries for the Knights of Pendragon and Doctor Strange for other Marvel treatments of the Pendragon concept.) The Heroes for Hire series ended after nineteen issues, but Dane Whitman has since been reunited with Captain Britain for a return to Otherworld in a recent Excalibur miniseries, and currently makes occasional appearances in Avengers.
Other wielders of the Ebony Blade have included Percy's nephew Sir Raston -- a member of the Anachronauts -- and a future version of the Black Knight who appeared in Solo Avengers #4. An issue of What If? presented a story of another Black Knight, an immediate heir of Sir Percy who opposed Marvel archvillain Dr. Doom in an alternate timeline (derived from Iron Man v.1, #150) in which Dr. Doom had conquered Camelot.
(Source for Marvel UK publication information: Captain Britain v.2, #8 letters column.)
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Created by Chris Claremont (writer) and Herb Trimpe (penciller) in Captain Britain #1 (black and white, 1976, Marvel UK)
Key appearances (all published by Marvel UK except as noted):
Marvel Comics' British publishing arm, Marvel UK, introduced this patriotic superhero in Captain Britain #1. (The origin story was reprinted for American consumption in Marvel Tales #131-133.) Brian Braddock was a young graduate student who, while fleeing from a dangerous criminal, found himself alone in the countryside in a mysterious circle of stones identified as the Siege Perilous. Two apparitions calling themselves Merlin and the Lady of the Northern Skies ( identified as Merlin's daughter Roma in later stories) visited Brian and offered him a choice of either an amulet or a sword (in a stone). Brian chose the amulet, a "symbol of life", over the sword. Immediately he was struck by a bolt of energy which transformed him into a superhuman champion of justice, an heir to the Knights of the Round Table.
Captain Britain appeared in his own series from 1976 to 1977, then fell into obscurity when that series was cancelled. He resurfaced in the Black Knight's series in Hulk Weekly suffering from amnesia. Brian Braddock joined the Black Knight in his adventures, eventually regaining his memory and accompanying Dane Whitman to Otherworld, where he met Merlin (or Merlyn) and Roma again, as well as King Arthur. The Black Knight's series ended soon afterward, but Captain Britain was spun off into his own new series in Marvel Super Heroes (later moving to The Daredevils, and then to The Mighty World of Marvel), receiving a new costume and modified powers in the process.
Captain Britain embarked on a memorable series of adventures (written by Alan Moore and illustrated by Alan Davis) involving multiple universes, each of which had its own version of the Captain. Merlyn was ultimately revealed as something more than the mage of Camelot or Otherworld -- he was the extremely powerful guardian of the multiverse, manipulating the actions of Brian Braddock and those around him in a effort to save reality. Merlyn was successful, but appeared to perish in the process, bequeathing his guardianship to Roma.
After this story cycle (reprinted in full, and in color, in Marvel Comics' miniseries X-Men Archives Featuring Captain Britain #1-7, and in trade paperback as Captain Britain), the Captain again received his own comic, which ran for 14 issues (with scripts now by Jamie Delano). In 1988 illustrator Davis teamed with Captain Britain's co-creator Chris Claremont to create a new super-team book featuring Brian Braddock, Excalibur. Despite the title, Excalibur featured relatively few Arthurian references -- the series was a spinoff of Marvel's extremely popular X-Men, and the name appeared meant to evoke the British setting and the "X" connection simultaneously. Among the more Arthurian storylines were: an episode in which the Lady of the Lake summoned Iron Man and the West Coast Avengers to come to Excalibur's aid agains Doctor Doom (Excalibur #37-38, May-June, 1991); Merlyn's return from his seeming death (Excalibur: The Possession, July, 1991; Excalibur #49-50, April-May, 1992); and a time-travel story in which one of the original X-Men, Marvel Girl, having been transformed into "Marvel Le Fey", attempted to steal Excalibur following Arthur's death (Excalibur: XX Crossing, July, 1992). Merlyn also appeared in the series' final issue, #125 (October, 1998), according to Michael Torregrossa's "Camelot 3000 and Beyond".
Concurrently with the early years of the Excalibur series, Captain Britain also appeared regularly in the first series of Knights of Pendragon, in which he embodied, for awhile at least, the eternal "Pendragon spirit" previously possessed by Lancelot.
In 1999 and 2000, Marvel presented Earth X, a miniseries describing an alternative future for Marvel's fictional universe. In this future, Brian Braddock has become King Britain, the ruler of the British Isles, while his teammates in Excalibur (now including the Black Knight) have been turned to stone. King Britain appears as well in two sequels, Universe X (2000) and Paradise X (2002). Issue no. 2 of the former features appearances by Merlyn, Roma, and the Siege Perilous, while relating how Brian finally took possession of the "sword of power" first seen in his origin story -- here identified at last as the sword of King Arthur. At about the same time, Marvel published a new Excalibur miniseries (2001) which, though set in the present day, appeared to build on the concepts introduced in Universe X by featuring Captain Britain's quest for the sword Excalibur in Otherworld,, joined by the Black Knight and others.
More recently, in Avengers v.3 #78-81 (2004), the identity of Captain Britain was passed on to a new champion of Avalon. An Englishwoman named Kelsey Leigh was killed while protecting Captain America. Kelsey's spirit journeyed to Avalon in Otherworld, where she encountered Brian Braddock and his wife Meggan (taking on the roles of Merlyn and Roma) and was given the choice of amulet or sword. In choosing the sword, Kelsey was restored to life as the new Captain Britain, but her choice also meant that she could not reveal her return to her young children without causing their deaths. The new Captain Britain fought Morgan Le Fay alongside the Avengers and then accompanied them back to America to begin her new life.
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Created by Jack Kirby (writer and penciller) in The Demon v. 1, #1 (1972, DC Comics)
Jack Kirby (1917-1994)was perhaps the foremost mythographer of American comics. Drawing on Arthurian legend to create a new character, Kirby eschewed chivalry and romance and portrayed Camelot as a locus for ancient mystical forces. In a dramatic portrayal of the fall of Camelot in The Demon #1, the writer-artist told how forces commanded by Morgaine Le Fey attacked the legendary city, attempting to capture Morgaine's foe, Merlin, and seize his "Eternity Book". The powers of evil were opposed by a savage Demon in Merlin's service who held Morgaine at bay long enough for Merlin to cast a last spell and vanish with the Book. The Demon, Etrigan, also escaped, assuming the form of a mortal man and striding into the woods, never to be seen again -- until in the 20th century, a Gotham City demonologist named Jason Blood was summoned to Castle Branek in central Europe, where he discovered the tomb of the sleeping Merlin. Blood was actually the transformed Etrigan, unaware of his true identity until Merlin's spell again released the Demon to battle the immortal Morgaine, who was still seeking the Eternity Book.
Morgaine was defeated, apparently destroyed by Etrigan's "demonflame", and Jason Blood tried to adjust to his new knowledge. Able to change into Etrigan (and back again) by chanting Merlin's spell, Blood faced a number of evil supernatural foes (most apparently inspired by old Hollywood horror movies) over the sixteen-issue run of the series. Merlin appeared frequently in the early issues, and Morgaine returned in the final issue.
Like most comics heroes, the Demon's career did not end with his first series' cancellation. Jack Kirby never again wrote or drew a Demon tale, but a number of other talented creators have further developed his vision. For a brief period, Etrigan shared space with his fellow Gotham City resident, the Batman, in issues of Detective and Batman Family (Morgaine Le Fey appeared again in the latter's 17th issue). Later, writer Alan Moore explored the Demon's nature as an literal fiend of Hell in Swamp Thing, portraying him as a genuinely sinister and frightening figure. This led into a 4-issue miniseries written and drawn by Matt Wagner, creator of Mage. Wagner drew on the traditonal story of Merlin's origins as told by Geoffrey of Monmouth to tell how Merlin, though born of a mortal woman, was sired by the demon Belial. Etrigan, as it happened, was also Belial's son -- Merlin's half-brother. Jason Blood was a mortal man whom Merlin had caused to be possessed by Etrigan. By the conclusion of this miniseries, Jason apeared to have freed himself from the Demon.
Etrigan's next major appearance was in his own series appearing in Action Comics Weekly. Writer Alan Grant developed a tale that once again involved Morgaine Le Fey, with Merlin (now revealed as an unsympathetic manipulator) appearing as well. Etrigan became involved with political maneuverings in Hell as Grant approached the character and his milieu with a large amount of black humor. This approach was maintained as the Demon once again gained an ongoing title of his own. The use of the Arthurian mythos in this series centered on Merlin, although Sir Percivale made an appearance in issue 20. The series lasted for 59 issues, with later issues being written by Garth Ennis.
Sometime later , in Wonder Woman, writer-artist John Byrne suggested the tone and style of the original Jack Kirby stories in a sequence that found Etrigan contending against Morgaine as she continued her quest for eternal youth and beauty. (This story arc was reprinted by DC in the trade paperback Wonder Woman: Lifelines.) In later episodes, Byrne revised much of the continuity that had been established since Kirby left the character, believing that these additions were untrue to Kirby's conception. In most of his appearances since then, however, including the miniseries The Demon: Driven Out (2003), DC's writers have seemed to be ignoring at least some of Byrne's revisions. Byrne himself returned to the character in 2005 with the ongoing series Blood of the Demon. This series makes liberal use of Arthurian elements, with flashbacks to the Demon's time in Camelot and battles against Morgaine Le Fey in the present day.
The Demon has appeared in a variety of other comics as well. (See the entries for Batman, Superman, and Swamp Thing in Part Four, as well as the reference to The Janissary below.)
Created by Fred Guardineer (writer and artist) in National Comics #1 (1940, Quality Comics)
Fred Guardineer's Merlin was a descendant of the Merlin of King Arthur's time, who used his sorcerous powers to battle Nazis. Like Guardineer's better-known magician character Zatara, Merlin appears to have been modeled after Lee Falk's successful comic-strip hero "Mandrake the Magician", sporting a similar "stage magician" look (suit, cape, and moustache). The panel reproduced here is from Blackthorne Publishing's 1985 black &white reprint of National Comics #1.
After many years' absence from publication, Merlin recently appeared in a new story of the Justice Society of America (All-Star Comics v. 2, #1, May, 1999) that related the previously-untold tale of his death in battle in 1945.
Created by Mark Wayne Harris (writer) and Nicholas Koenig (penciller) in MerlinRealm 3D, Blackthorne 3D Series #2 (1985, Blackthorne Publishing).
According to the text introduction to this one-shot comic, in the final days of our universe Merlin woke from his long sleep and created a new world, based on magic, which he came to rule. Some years later Merlin vanished and his son, Prince Seth, returned to Merlincastle to attempt to take the throne. But the realm was in chaos, and the prince became a wanderer, one of the most powerful black magicians in the land. The comic (printed with a three-dimensional process) related one sorcerous advenure of Seth Merlinson.
Created by Marv Wolfman (idea), Bill Mantlo (script), and Yong Montano (pencils) in Marvel Chillers #1 (1975, Marvel Comics).
Modred the Mystic (not to be confused with Arthur's villainous nephew Sir Mordred or Modred) was featured in the two sole issues of Marvel Chillers and shared star billing with the Thing in Marvel Two-In-One #33. Modred was a wizard's apprentice who resisted King Arthur's command to join the students of Merlin at Camelot. (This Merlin was later revealed to be an impostor, an evil mutant called the Maha Yogi.) Attempting to quickly gain enough magical power to thwart Merlin, Modred tried to learn the secrets of an ancient book of sorcery called the Darkhold. Modred was struck down by the Darkhold's black magic and cast into suspended animation until awakened in the 20th century by two archaeologists. The wizard learned he had inherited great power from his encounter with the Darkhold, but he was almost immediately attacked by "The Other", a demonic personification of the grimoire's evil. Apparently defeating the Other in Marvel Chillers #2, Modred then resisted the efforts of demons supposedly dispatched through time by Merlin to retrieve him in Marvel Two-In-One #33. Unfortunately, the Mystic's next appearance (Avengers #185-187; reprinted in black & white paperback format in Backpack Marvels: The Avengers: Nights of Wundagore) revealed that far from defeating the Other, Modred had actually been secretly possessed by the entity, and had now become a servant of Chthon, the Elder God who had created the Darkhold as his touchstone with our world when he was banished from our universe. Modred was defeated by the Avengers in his attempt to raise Chthon, but later returned to battle Captain America, Captain Britain, and others, and to make recurring appearances in the short-lived series Darkhold: Pages From the Book of Sins. Modred remains possessed by the evil of the Darkhold (which itself has figured prominently in several Marvel Comics stories featuring Morgan Le Fey in battle with Spider-Woman, Iron Man, and the Avengers).
Created by Barry Blair (writer and artist) in Pendragon #1 (1991, Aircel Comics, a division of Malibu Graphics Publishing Group).
The first issue of this black-and-white comic book introduces Valerie Pender, a modern New York University student who is the last of the Pendragon line. She is menaced by Mordred and aided by Merlin (her college professor) who gives her Excalibur (and an improbably skimpy outfit) with which to battle evil. The series ran for only two issues.
Created by Harold R. (Hal) Foster in "Prince Valiant in the Days of King Arthur?" (1937, syndicated to newspapers by King Features Syndicate).
"Prince Valiant" newspaper strip, appearing each Sunday from Feb. 13, 1937 to the present
"Prince Valiant" in Four Color #567, 650, 699, 719, 788, 849, 900 (1954-1958, Dell Publishing Co.)
Prince Valiant #1-4 (1994-1995, Marvel Comics)
Without a doubt, "Prince Valiant" is the best-known Arthurian comics work in the world. For over 60 years, Sunday newspaper comics sections have presented the continuing adventures of Valiant, Prince of Thule and Knight of the Round Table.
Valiant's saga begins in his childhood, as his father, King Agnar of the mythical Nordic land of Thule, flees with his family from a usurper to find refuge in Britain. Val grows up on a desolate island in the midst of a vast marshland. While still a youth,he decides to leave home and, reminiscent of Perceval in medieval romances, puts together some makeshift arms and sets out to become a knight. Quickly he encounters Sir Lancelot and, a bit later, Sir Gawain, with whom he joins company and whose squire he eventually becomes. After several adventures, Valiant arrives with Gawain at Camelot, "the city of marvel", and meets Arthur, Guinevere, and Merlin. Over the next few years the brave but occasionally rash young Valiant has a number of adventures as Gawain's squire and eventually wins a place as a Knight of the Round Table. Later, he meets and falls in love with Aleta, Queen of the Misty Isles; they wed, and have several children (the oldest of whom has made Valiant a grandfather in the strip's recent years).
Valiant, like many traditional Arthurian heroes, is emotional and sensitive as well as courageous and strong; unlike many of them, he is able to find personal contentment with his wife and family. Hal Foster was not interested in the medieval notion of courtly love, or in the chastity of a Galahad. It is not coincidental that Foster married Val and Aleta in 1946, at the beginning of the postwar baby boom; the hero reflects the concerns and preoccupations of his time.
Throughout the ongoing epic, the Arthurian setting has often remained in the background, as Valiant has travelled far from the British Isles; his journeys have taken him to Africa, India, and North America, as well as other locales not usually associated with the legends of Camelot. At other times, the Arthurian material has come to the forefront, as Val has encountered Morgan Le Fey, searched for the Holy Grail, or fought in the Battle of Badon Hill. Valiant has also struggled to foil the schemes of Sir Modred (whose daughter Valiant's son Arn eventually marries).
Hal Foster's greatest achievements probably lie in his amazing draftsmanship and in the versimillitude with which he invests his romantic version of history. Foster writes (and draws) of a glorious medieval Camelot which never truly existed, but the facts of fifth-century history which he draws upon for his story (Genseric's sack of Rome, for example), combined with his meticulous detailing of armor, dress, and other elements from several different centuries, lend an authenticity that makes both his historical amalgam of a setting and the often larger-than-life deeds of his heroes plausible.
Though "Prince Valiant" will always be identified with its creator, a number of other artists and writers have also worked with the character. Since 1971, in fact, the strip has been drawn by John Cullen Murphy (who, assuming the strip continues, will have illustrated as many installments as Foster by the year 2005.). Foster stopped writing the strip in 1980, two years before his death at the age of 89; it is written today by John Cullen Murphy's son Cullen Murphy, the illustrator's son. There have been two versions (not counting strip reprints) produced for comic books. One was published in the 1950's by Dell; the second, a four-issue miniseries published by Marvel Comics in 1994 and 1995, is one of the most Arthurian "Prince Valiant" stories yet to be created. Written by Charles Vess and Elaine Lee and illustrated by John Ridgway, the story is conceived as a sequel both to the ongoing continuity of the newspaper strip and to the traditional Arthurian legend. Following the deaths of Arthur and Modred on the battlefield, the sorceress Queen Morgause, Arthur's sister and the mother of Modred and Gawain, steals Excalibur and kidnaps Ingrid, the granddaughter of both Modred and Valiant, in a bid to seize power. Valiant, aided by Merlin and the wizard's protege Nimue, as well as his other family members and familiar companions from the newspaper strip, must follow Morgause to the Scottish islands of Orkney to rescue both his granddaughter and his son Galan and to save Britain from the evil witch.
The "Prince Valiant" newspaper strips by Hal Foster have been reprinted in a number of editions in several languages, with Pacific Comics Club and Manuscript Press among the English-language publishers. Fantagraphics Books has released 40 color trade paperback volumes including all the strips written and illustrated by Foster from 1937 to 1971. Most volumes are still in print. Two black-and-white paperbacks reprinting John Cullen and Cullen Murphy material were published by Blackthorne Publishing in 1986.
Valiant has appeared in other, non-comics media as well. A series of books adapting Foster's narrative to an illustrated novel format were published by Nostalgia Prss in the 1970's. The motion picture Prince Valiant, directed by Henry Hathaway and starring Robert Wagner and Janet Leigh, was released by 20th Century Fox in 1954 and is available on videocassette. A new film version, also simply titled Prince Valiant, was released in 1997 by Paramount. This version starred Stephen Moyer and Katherine Heigl and was directed and co-written by Anthony Hickox, who also played Gawain; it too is available on video. In addition, an animated series called The Legend of Prince Valiant, featuring the voices of Robby Benson, Tim Curry, and Samantha Eggar, aired on the cable network The Family Channel from 1991 to 1992.
(Sources for some publication information: The Overstreet Comic Book Price Guide and The World Encyclopedia of Comics. Additional sources for film and television information: The Internet Movie Database; and Kevin J. Harty's "Arthurian Film" and Michael N. Salda's "Arthurian Animation", both from the Arthuriana / Camelot Project Bibilographies series.)
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First appearance in PEP #1-16 (1970).
Key appearances (all published in the Netherlands):
Robert Vermaat writes: "Ridder Roodhart (Sir Redhart), a (very) handsome though sometimes dim knight, is the only one that can regain the vanished Round Table for King Arthur [in De Strijd om de Ronde Tafel]. Dashing forth into the adventure, he and his loyal friend Bombardon must defy the black magic of Mordred and regain the treasure. Luckily, where all other knights run off without using any brain cells whatsoever, Merlin keeps cool and can assist the heroes in their hour of peril. Only, when all knights are saved and the Round Table regained, Roodhart steals it to return to Camelot alone and claim all the glory! Not so dim after all." De Strijd om de Ronde Tafel, released by Publisher Oberon in 1978, was the third Ridder Roodhart volume written by Lo Hartog van Banda and illustrated by Dick Matena. Although Roodhart is a knight of the Round Table, the amount of Arthurian material in the first two albums is uncertain.
This German series of the 1980's (by Gotz Altenburg, Gunther Herbst, Joachim Honnel, and others) features Roland, an Arthurian knight who battles monsters and other threats. (Source: Siegrid Scmidt and Peter Meister, "Comics," The New Arthurian Encyclopedia.)
Created by Creig Flessel (artist) and ? (writer) in Adventure Comics #66 (1941, DC Comics).
Like Prince Valiant and the original Black Knight, the Shining Knight is a Knight of the Round Table created for the comics. Sir Justin had the good fortune to possess an enchanted sword and suit of mail, as well as a winged horse named Victory, all given him by Merlin. He also had the poor fortune to fall into an icy crevasse while battling a giant, and to be frozen in suspended animation until the 20th Century. Thawed out in the 1940's, Sir Justin took up the Arthurian battle for justice as a superhero. He assumed the civilian guise of the assistant director of a museum, his true identity known only to a boy sidekick, "Sir Butch". Justin's reactions to contemporary mores and customs were sometimes played for humor. The series occasionally featured flashbacks to his exploits in Camelot (where, also like Valiant and Percy, he opposed Sir Mordred) and after some time the Shining Knight gained the ability to travel between the two eras via Merlin's magic.
Among the artists who illustrated Sir Justin's adventures was a young illustrator named Frank Frazetta, later to become famous as a fantasy painter. (Several of Frazetta's stories were collected and reprinted by DC Comics in the 1980's in two issues of The Masterworks Series of Great Comic Book Artists; the cover of the 1st issue is pictured above, while another sample of Frazetta's work appears to the left.)
The Shining Knight eventually joined a team of American superheroes, the Seven Soldiers of Victory (or "Law's Legionnaires"), who appeared in Leading Comics for about five years. Sir Justin's own series ended in the early 1950's, but DC revived him and his fellow Soldiers of Victory in 1972, in the pages of Justice League of America. The Shining Knight's appearances since then have been sporadic, however. He made semi-regular appearances in All-Star Squadron (a series set during the 1940's, but published in the 1980's). Episodes of particularly Arthurian interest included the story of a false "Camelot 1942" arising in England (issues #48-49) and a retelling of Sir Justin's origin in issue #62. The Shining Knight has also been used interestingly in several tales of various DC characters' trips through time to Camelot. Among these have been a Justice Society of America story (All-Star Comics) illustrated by Wally Wood (who illustrated Arthurian stories in EC Comics' Valor and who also worked briefly on "Prince Valiant"), as well as an adventure of Swamp Thing which is discussed in in Part 4 of this survey.
Most recently, the Shining Knight has appeared in Stars and S.T.R.I.P.E. (issues #9 through #13), battling the Dragon King (see the All-Star Squadron entry, also in Part 4), and with the other remaining Seven Soldiers in JSA #50.
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Created by Robert Kanigher (writer) and Irv Novick (artist) in The Brave and the Bold #1 (1955, DC Comics).
The Silent Knight was a medieval hero who appeared in early issues of DC Comics' The Brave and the Bold in the 1950's. Brian Kent was the teenage son of Sir Edwin Kent, a knight who ruled a small kingdom somewhere in Britain with another knight, Sir Oswald Bane. After Sir Oswald treacherously caused Sir Edwin's "accidental" death, Brian became Oswald's ward. One day, while pursuing Oswald's escaped falcon into the nearby Forest Perilous, Brian found a suit of armor. Donning this armor, Brian became the Silent Knight, who battled against Oswald's tyrannical rule. The Silent Knight never spoke lest he be recognized as Brian Kent. (Note: The retelling of the Silent Knight's origin story in a 1990 issue of Secret Origins presented Brian as a stable boy rather than Edwin's son.) The earliest Silent Knight stories were not given a specific chronological setting, but the Knights of the Round Table appeared in The Brave and the Bold #10, and eight more stories with Arthurian elements appeared before the series ended in issue # 22. (Source: Arthurian bibliographer Dan Nastali.)
The character has appeared only sporadically since the 1950's. In the 1990's, the Silent Knight was revealed in DC's third Hawkman series to have been an avatar of the "Hawk God;" more recently, in the latest Hawkman series it has been implied that Brian Kent is an earlier incarnation of the current Hawkman, Carter Hall.
I have very little information on this character, who appeared in the 1st issue of Robin Hood (1955; also numbered as #52) from Magazine Enterprises (Sussex Pub. Co.), and several issues thereafter. Dan Nastali describes this as "truly mediocre period stuff--stock medieval adventures in an Arthurian setting." (Sources: The Overstreet Comic Book Price Guide; Dan Nastali; Michael Torregrossa.)
Created by ? in Captain Courageous Comics #6, (1942, Periodical House / Ace Magazines).
This obscure 1940's character, little remembered today, was one of the earliest superheroes inspired by the Arthurian legend to appear in American comics (following Merlin the Magician and the Shining Knight). According to Pure Excitement Comics, the Sword was young Arthur Lake, who secretly kept the magic sword Excalibur embedded in a stone. Whenever Arthur pulled the sword from the stone, he was transformed into a powerful superhero. The Sword was aided on his exploits by Lancer (actually Arthur Lake's friend, Lance Larter) and Merlin (an old man named Moe Lynn who worked at Arthur's father's aircraft plant). Whenever Arthur pulled the sword from the stone to effect his own heroic change, Lance and Moe were transformed into their heroic identities as well. Among the foes that the trio faced was the villainess Morgana. (Sources: the aforementioned Pure Excitement Comics web site by William Nolan, and The Overstreet Comic Book Price Guide.)
I have not read any of the Sword's adventures, so I will note that it's possible that Arthur Lake was presented as a reincarnation of King Arthur, in which case the Sword would appear more properly in Part Two.
Created by ? in Wally the Wizard #1 (1985, Marvel Comics/Star).
Wally the Wizard was one of the few original creations (as opposed to licensed properties such as Thundercats) featured in Marvel's short-lived Star line of comics for young readers. Wally was the boy apprentice to the wizard Marlin&emdash;not to be confused with his more famous brother Merlin. Marlin was actually more of a scientist, and disapproved of his brother as a charlatan and confidence man. Marlin's low opinion of Merlin was borne out when the latter showed up for a visit in issue #6.
For the sake of completeness, the following Arthurian-related characters should also be noted:
One of the main characters in Satan's Six (a 4-issue miniseries created by The Demon's Jack Kirby, 1993, Topps Comics) is Brian Bluedragon, a knight who offered service to King Arthur but was rebuffed, following which he sold his soul to Satan. Because he is neither truly good or truly evil, Bluedragon has been trapped in limbo for centuries prior to being sent back to earth with a group of similarly-ambivalent protagonists.
In an issue of Flaming Carrot Comics, a superhero parody series, artist/writer Bob Burden introduces The Shoveler, "a former ditchdigger and quarryman who found the lost shovel of King Arthur." (The Shoveler appears in the 1999 motion picture Mystery Men, incidentally, but without the Arthurian reference.)
In the miniseries Judgment Day (1997, Awesome Entertainment), writer Alan Moore creates a fictional history for the Awesome comics "universe" which includes heroes of different historical eras and comics genres (Western, sword-and-sorcery, jungle adventure, etc.). Among these heroes is The Winter Knight, a pastiche of such characters as the Shining Knight and the first Black Knight. The Winter Knight is Merlin's champion and bears a magic sword which can freeze a waterfall.
JLA Annual #4 (August, 2000, DC) introduces The Janissary, a modern-day Turkish superheroine whose origin involves her discovery of the lost scimitar of the Ottoman sultan Suleiman the Lawgiver, which was enchanted by Merlin in 1566 and hidden away by him, along with his Eternity Book, to provide a future weapon against his half-brother Etrigan the Demon. The Janissary derives her power from the scimitar (which she pulls from the sand) and from the Eternity Book.
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Last updated 9/26/05. Email your comments and suggestions to Alan Stewart.